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Rules for the Dance: A Handbook for Writing and Reading Metrical Verse

Free Download Rules for the Dance: A Handbook for Writing and Reading Metrical Verse

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Amazon.com Review

Just as dancing is "the art of moving in accord with a pattern," says Mary Oliver, so is writing metrical verse. "One sorts out the pattern, one relies on it, and relaxes from effort to pleasure." The rules (concerning rhyme, line length, and pattern) are made if not to be deliberately flouted, then at least to be toyed with. Oliver claims to have written this book for both writers and readers of metrical verse, but it is an odd sort of fit for either. A writer might wish for a little more detail; a reader might find too much. The book works best as a kind of refresher course, for those who have forgotten the difference between metaphysical and Petrarchan conceits, between masculine and feminine rhymes, and would like to brush up a bit. Oliver does a wonderful job of explaining why the most common forms of metrical verse came to prevail (for instance, the five-foot line is "the line which is the closest to the breathing capacity of our lungs"), and of nudging us into reading more metrical poetry (nearly half this volume is devoted to works by John Donne, William Blake, Emily Dickinson, Elizabeth Bishop, and others). Blessedly, Oliver reminds us that, though one could get carried away trying new meters and forms, one shouldn't expect to be writing a lot of double ionics anytime soon. "Expect to use one hypersyllabic foot in ten years, perhaps," she says. "Anacrusis, rarely. Catalexis: often. The double ionic: when the next comet flies over." --Jane Steinberg

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"What good company Mary Oliver is!" The Los Angeles Times

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Product details

Paperback: 208 pages

Publisher: Mariner Books; 1st Edition edition (July 27, 1998)

Language: English

ISBN-10: 039585086X

ISBN-13: 978-0395850862

Product Dimensions:

5.4 x 0.5 x 8.2 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

43 customer reviews

Amazon Best Sellers Rank:

#11,867 in Books (See Top 100 in Books)

Oh, this is just so very, very well done; but I guess I couldn't expect less from the brilliant Mary Oliver. If you're a poet, or simply want to understand poetry better, I recommend this highly.

Don't know what poetry junkies would think, but for someone who has often felt reading poetry involved some kind of unapproachable mystery it's very handy. You'll find yourself saying with amazement, "Oh. I get it"

Despite being an English lit major,a prolific reader of fiction and non-fiction, and a not too shabby piano player, I had never, until my encounter with Mary Oliver's careful, clear teaching style, understood how metric poetry links together attributes of both music and the written word.'Hell-o-o-! It's not so difficult to understand,' you say.Oh, but it has been,for me,stuck on the idea that the two arts are completely separate. They're not. In "Rules for the Dance..", Ms. Oliver illustrates how,in metric poetry,the dimensions of sound and rhythm (musicality) and lyrical words (assonance, aliteration, etc..)combine: one reads not only for comprehension of the artful words,but for the added emotional pleasure of hearing them in rhythmic sound patterns - metrics, which she defines in detail- the result being powerful poetry. I now 'get'the 'rules for the dance,' and you will too should you pick up this book with a mind to hear what is being said.

Having long known the rules of meter (more or less), this excellent handbook finally helped me "get" it on an intuitive level.

Great way to relearn or learn the technical arts of poetry from a wonderful poet; great examples.

How can this book be rated anything but the best?! I'm not a poet or writer, but I felt very enabled to read poetry better and more enjoyably after reading this book. It's simple for me to read and offers several new perspectives! I especially like that she suggests a way to being a better poet is to read more poetry!

Mary Oliver brings to this small book all the clarity and economy that characterize her poetry, and produces the most plain-spoken, profound work that I have read on poetry as a conscious craft. The book is divided into five parts. Part One is 12 brief, carefully-exampled chapters with titles like "Breath", "Line Length", and "Meter in Non-Metric Verse". Part Two is a single chapter on "Style". Part Three explores scansion for both reader and writer. Part Four is a 2-page statement of the timelessness of poetry. Part Five is a fine little anthology of works studied in the earlier text. This austere, remote poet has written a book that speaks to the reader with great intimacy and passion. To quote from Oliver's envoi: "No poet ever wrote a poem to dishonor life, to compromise high ideals, to scorn religious views, to demean hope or gratitude, to argue against tenderness, to place rancor before love, or to praise littleness of soul. Not one. Not ever."

With a poet's ear and a poet's grace of expression, Oliver shows what makes a metrical poem work - and enables readers, as only she can, to "enter the thudding deeps and the rippling shallows of sound-pleasure and rhythm-pleasure that intensify both the poem's narrative and its ideas." Writers, keep this one handy in your collection.

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Rules for the Dance: A Handbook for Writing and Reading Metrical Verse PDF

Rules for the Dance: A Handbook for Writing and Reading Metrical Verse PDF