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Puppet: An Essay on Uncanny Life, by Kenneth Gross

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Review

“No one better illustrates the evolution of academic literary criticism into poetry than Kenneth Gross. . . . He dreams and muses, offering endless insights into the strange and archaic world of puppets, inanimate things breathed to life. This is a book of literary mysticism, rich with accrued culture yet never weighed down by it. . . . Gross’s Puppet held in the hand may be a dead thing, but it glows with life.” (John Rockwell New York Times Book Review)“You have in your hands a uniquely beautiful book, a book of uncommon brilliance and lucidity. It is as wondrous as the theaters of marvels it describes; its leaps and mutabilities provide a thrilling adventure in imaginative thinking. ‘How are we devoured by the things we make?’ it asks. ‘And when might that devouring save us?’ My copy burns brightly on my favorite shelf, beside The Poetics of Space, Eccentric Spaces, and In Praise of Shadows. . . a treasure!” (Rikki Ducornet, author of Netsuke and The Fan-Maker’s Inquisition)“Kenneth Gross explains why puppets are so powerful and why puppetry is such a vital part of our culture both past and present. His book is the site of a constant flow of sharp observations and insights. It is part of the exciting exchange of ideas about objects in performance that is influencing the practitioners of contemporary theater in general and puppeteers in particular.” (Basil Jones, Executive Producer, Handspring Puppet Company)“After three readings, my enthusiasm must take the form of a warning, even of a prohibition: do not read Kenneth Gross’s energetic, expert, and exhaustive essay as if it were merely—merely!—an ecstatic encomium; on the other hand (the puppeteer’s constant cry), do not treat this learned and lyrical study as if it were no more than a reference book, though it has all the beneficent earmarks of that dread convenience. Read it as you always meant to read the Bible: by chapters, by pages, persistently by sentences, readily pausing to concur, to contend, to wonder. . . . You will find the author has done that much for you, thereby achieving—by a labor of years as well as of love—the Sacred Book of an entire human undertaking, one which has ensorcelled us for all the recorded ages of what the author calls uncanny life.” (Richard Howard, author of Without Saying)“Intriguing, inquisitive, and erudite. . . . Gross is particularly illuminating about the passionate intensity or violent hunger for being that seems to be the particular characteristic of puppets; it is as though, as the fossilised form of human longing, the puppet longs in turn, vividly and vivaciously, for the life that can never be its own. The most telling insight is about the puppet’s intrinsic poverty. For Gross, the puppet is so poor, so close to the condition of deprivation and fragility, that it seems perversely, unnervingly, and triumphantly unkillable. The puppet cackles in the face of death, because it has been killed and revived so many times over. . . . A canny and alert examination of the mechanics of animistic and magical thinking.” (Stephen Connor Literary Review)“I for one cannot resist a book whose first chapter is entitled ‘The Madness of Puppets,’ with its surely intentional subliminal reference to Metallica. What does a puppet, the English-prof author wonders, know about our world, and why is it keeping quiet about it? . . . The puppet, Gross notes, is political (they were banned in Mussolini's Italy) and demonic. He cites Sesame Street, Cervantes, Kafka, Russell Hoban and Philip Roth, and offers his own morbidly delightful list of ‘Fables for a Puppet Theatre.’ . . . As one eventually emerges from this hall of puppets, everything seems charged with potential life. I watched my pencil, uncertainly.” (Stephen Poole Guardian)“[Gross] gets to the heart and soul of what the puppet is, referencing a broad range of sources, from folk puppet traditions to high art, literature and opera. It is an impressively detailed book, illuminating aspects of puppetry such as the problem of the puppet and voice. . . . As a puppeteer I found the book inspiring and richly detailed. . . . A book for puppeteers, intellectuals and anyone who is fascinated by puppets and wants to explore this fascination.” (Puppeteers UK)“Readers are taking a journey with Gross—one with many curious side trips and satisfying stopovers. . . . Each new topic is a treasure trove of glittering characters and precious stories. . . . Puppet is a dense, fascinating read. Gross is not only well read but well-traveled and personally acquainted with most of the puppetry artists featured in his extended essay.” (Andrew Periale Puppetry International)“This is the sort of book you can return to and find inspiration and food for thought, as well as information about an uncanny subject.” (PopMatters.com)“Puppets have figured in movies and novels, ballets and plays and operas, and the world of animated cartoons is not very far removed from the puppet tradition. It’s an almost limitless world of wood and wit and paper and fabric and art and imagination. As Gross shows us, it can be dark as sin or bright as love.” (Pasatiempo)

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About the Author

Kenneth Gross teaches English at the University of Rochester and is the author, most recently, of Shylock Is Shakespeare, also published by the University of Chicago Press.

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Product details

Paperback: 216 pages

Publisher: University of Chicago Press; Reprint edition (October 3, 2012)

Language: English

ISBN-10: 022600550X

ISBN-13: 978-0226005508

Product Dimensions:

5.5 x 0.8 x 8.5 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#1,163,814 in Books (See Top 100 in Books)

Not what I thought,but interesting

Book arrived as promised. Great writing, original notions. I would buy again from this seller and by this writer.

Anyone interested in in theatre, puppets, human consciousness or life in all its strangeness will find a feast in this book. Gross writes like a 21st century Walter Benjamin.

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