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Amazon.com Review

Amazon Exclusive: A Letter from Ray A. Rayburn, Author of Eargle's The Microphone Book Ray A. Rayburn Dear Amazon Readers, It would be an understatement to say that I was honored when Focal Press approached me about updating John Eargle’s classic The Microphone Book. John was a respected member of the New York section of the Audio Engineering Society (AES) during my early days in the audio industry and I learned much from him at the meetings. He worked for RCA Records in New York as I did some years later. He also helped JVC develop CD4 quadraphonic recording, which I worked on during my time at RCA. We both recorded orchestras and other classic musical groups, although I also recorded artists such as Frank Zappa. The AES honored John with a Fellowship award in 1971, and awarded me a Fellowship in 2009. Like John, I love everything to do with audio, and audio starts with the microphone. I study things I love, and microphones are no exception. I find everything about them interesting--from their history to the technology, to the multitude of ways they can be used. I collect microphones, and even build my own custom microphones. I design sound systems for clients ranging from the U.S. Senate to the local church, all of which require microphones. All of this passion and experience helped shape my perspectives, along with my approach to writing this book. My hope is that this book will introduce readers to the fascinating world of microphones, while providing them a deeper and appreciation and understanding of the critical role they play in shaping our recordings. Whether you're a recording engineer, sound reinforcement engineer, technology geek, microphone collector, sound designer, or just an audio enthusiast, you will find something of interest in The Microphone Book. I hope you enjoy reading it as much as I enjoyed updating John Eargle's timeless masterpiece of microphone technology, application and technique. -Ray A. Rayburn Take a Look Inside Eargle's The Microphone Book [Click on Images to Enlarge] The Superlux R102 is an example of a modern, inexpensive ribbon microphone with sound similar to some of the "classic" ribbon microphones of the 1930s through 1970s. It's also an active ribbon with output levels similar to a condenser microphone. This cutaway view of a Neumann SM-69 stereo microphone reveals its pair of large diaphragm condenser capsules. So-called "all-in-one" stereo microphones like this make stereo recording very easy since only one microphone needs to be placed instead of two. The Core Tetramic is an extremely small surround microphone (note the quarter next to the microphone). Its software makes it possible to use its four-channel recording to produce full surround recordings. Sound reinforcement systems today have largely replaced the lapel, or lavalier, microphone with earset microphones like the Countryman E6 earset microphone seen here. The E6 and all the similar microphones that came after it have greatly improved the sound quality of many sound reinforcement systems. This classic Altec 639 combined ribbon and dynamic microphone elements. By selectively blending the sounds from the two elements, six different directional patterns and six different sound qualities could be obtained.

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Review

"...this is a very interesting book which is well written and copiously illustrated with both graphs and pictures throughout. For anyone involved in using, specifying or manufacturing microphones this will prove an invaluable read." - Lighting and Sound International"Besides being a "must-have” reference source for recording engineers, producers or anybody who desires to better understand and utilize mics, The Microphone Book is an engaging read from its first chapter on microphone history to the 21st chapter and Eargle's unique take on classic microphones and their influence on the art and science of recording...The Microphone Book is unique in its balance of broad and meticulously detailed practical information." - Music Connection magazineReviews for the previous edition:"John has brought his successful experience in classical and other music recording to the book's many pages, and one can find the best microphone arrangements for nearly every conceivable situation and guides to proceed for the more unusual ones." - The American Organist"John Eargle has prepared another useful book for audio system contractors, engineers, designers and enthusiasts.”Sound & Communications magazine"Highly recommended for everyone who wants to know more. Read it.” Amazon.com customer review"The Microphone Book will save you time and money, even if you only ever buy one microphone to use in a home studio. If you do live sound, record on location, or are kitting out a slightly more ambitious project studio, then this book will be invaluable. It takes you far further than the 'microphone' sections of general guides to studio recording.” Amazon.co.uk customer review

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Product details

Series: Audio Engineering Society Presents

Paperback: 480 pages

Publisher: Focal Press; 3 edition (October 24, 2011)

Language: English

ISBN-10: 9780240820750

ISBN-13: 978-0240820750

ASIN: 0240820754

Product Dimensions:

7.5 x 1.1 x 9.2 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

30 customer reviews

Amazon Best Sellers Rank:

#1,169,140 in Books (See Top 100 in Books)

In the first few minutes I found 4 egregious errors, intolerable for a scientific reference book (and odd for Focal Press). As I don't have a desire to find any more, I'm returning it for a refund. Details: p78, the formula should be "k=...1.8," not "kr." On p85 the super cardioid at 90deg is down 8.6dB not "-12" (it's correct in Fig 5.4 p86). On p92 Fig 5.10 is just a duplicate of p80 Fig 4.17 - it should be significantly different. In the index looking up "proximity effect" only p20 is listed, where the bulk of the subject begins p78. I'd hoped to learn much I don't know, but now can't trust it will be correct.

I have read quite a few books about microphones but this book goes so much deeper and reveals the fundamentals of the basic frequency response of the different types of microphone and how the manufacturers deal with these responses to produce a nice sounding and useful microphone. Also covered is how the directional properties are achieved and most of the variations used for doing this. There is a section on the interfaces and the effects these can have on a microphones performance.The updated version of this book covers the new technologies like the digital microphones and the methods of remote control for these.It is a valuable addition to my growing library and I place it among my prized reference books.

A technical book, to get the real thing on how the microphones are made, how they work, and how get the most of them. It's a deep phisical and technical aproach of the microphones, in order you can decide, depending what and where you gonna record, wich type of microphone, wich polar pattern, and wich miking and placing technique you will use, once you had achieved all acknowlegment related on this manual.

This treatise covers any technicall aspect of microphones that any reader might wish to know. This book however is not for the novice microphone user as it is very deep and requires careful reading.

A very useful book for those in the studio.

Good book but fatally suffers with no toc and no accompanying cd (understandable with kindle version) is the same price as the book with cd,Must then pay double for toc and cd.Why bother with kindle???Kindle fails yet again!Need toc to use as reference, not a narrative book that you would want to read page by page.

I can't put it any more succinctly than the subtitle, `A Guide to Microphone Design and Application'.About half of the book covers microphone theory and design - to the schematic level - and is a goldmine for anyone interested enough not to throw away the spec sheet when they unpack a mic. I have some background in electronics and, although I've no intention or ability to try building a microphone, I guess I'm geek enough to find this stuff fascinating. From the history of microphones, pressure and directionality principles and how to measure them, to varied applications and how different mics fit in, `The Microphone Book' is a technical reference work that's equally readable straight through.The applications half is where many readers will decide if the book is right for them. It's not particularly geared toward home recordists working in contemporary styles who are looking to emulate pro studio sounds in their bedroom. The author himself states the book was written primarily for engineers and designers. The musical application chapters are divided between classical (stressing various hall acoustics and ensemble setups) along with studio recording (focusing on drums, piano, voice). Additionally, there's information on broadcast communications (radio/TV spoken word) and live voice applications. I found the information solid, if the presentation feels a bit dry in spots.There's a terrific chapter on classic microphones featuring pictures and comparison specs that will have you drooling in no time.This is the third edition (2012) and includes an overview chapter on wireless microphone technology; I'm still a wired guy but I found it interesting - although there are more in-depth sources at this point. There's no mention of USB in the book.If you're a guitar player looking for examples of various ways to position a SM-57 in front of your stack, there are more concise books out there that include sample recordings. If you're an engineer, studying to be one, or have a serious interest in what's often regarded as the most important link in the audio recording chain, consider `The Microphone Book' everything else you might want to know that you won't get from practical trial and error.

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Eargle's The Microphone Book, Third Edition: From Mono to Stereo to Surround - A Guide to Microphone Design and Application (Audio Engineering Society Presents) PDF

Eargle's The Microphone Book, Third Edition: From Mono to Stereo to Surround - A Guide to Microphone Design and Application (Audio Engineering Society Presents) PDF

Eargle's The Microphone Book, Third Edition: From Mono to Stereo to Surround - A Guide to Microphone Design and Application (Audio Engineering Society Presents) PDF